Showing posts with label names. Show all posts
Showing posts with label names. Show all posts

Friday, 17 May 2013

This is my real name. This is real.


kaberettPosted by kaberett


As I said recently: hello, my name's kaberett.

And that is absolutely true.

kaberett is not my wallet name - the name in my passport, on my Prescription Pre-payment Certificate, on my various institutional ID cards - but it is no less real for that. I am the only person using "kaberett" as a name; search the Internet and you'll get me, and a bunch of German-speakers using non-standard spellings.

My wallet name isn't the name under which I perform; it's not the name under which I write; it's not the name under which I have formed countless close friendships; it's not the name under which I provide sex education and health advice; but: it is no less real for that. There are two other people with my wallet name living in my area (one has a private pilot's licence; one spends a lot of time on student theatre), and I have at least one relative who (superficially) shares it.

Both names are real. Both names are equally real.

Both names are chosen.

Neither is the name I was given at birth.

I chose "kaberett" before I had settled on "Alex"; I decided on "Alex" because "kaberett" felt right.

Both names are patchwork: of who I am; of who I was; of who I hope to be. They started out too large: I echoed inside them and looked over my shoulder, unable to tell who was calling me. And then: I grew into my names, settled them on my shoulders like a coat, and I got out my scissors and my needles and my thread and I took them in where they were still too large; added in another stripe - another layer of nuance - where they constricted.

And I have worked for these names - for these identities - and they are consistent, solid, whole. I refuse to do either of them a disservice by relegating them to the status of "pseudonym" or "fake"; I refuse to countenance the question "Ah, but what is your real name?" - as if I could, should, have only one; as if my name should not be context-dependent; as if the name chosen for me by people who didn't yet know me is more real than my names.


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We are fond of these distinctions, though: between "real life" and "online", as though they can be meaningfully separated; as though through the mediation of technology our actions become fantasy, our selves fantastical. Yes, online we can fly - but the communities we build are no less valid for that.

So then, predictably: we go the other way: with "meatspace", for example, a graphic and unpleasant image. And, yes, for some of us - and I do here include myself - our bodies make unpleasant roommates; and yet - the mind is not purer than the flesh. Embodiment neither corrupts nor tempts me.

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And so, in the end, to neutrality: my real name is what I say it is. My real life is what I say it is.

I am here, and I am real - and so are you. So are we all.

Friday, 26 April 2013

Mx-ing it up

Posted by Ganymede


A version of this post originally appeared in May 2012 at http://deconstruction-site.blogspot.com.



Mx (title, pronounced /məks/, by analogy with "Ms", or /mɪks/, as in "mix"): a handy alternative to those peskily gendered and status-specific titles "Mr", "Mrs", "Ms", "Miss". Variant form: Misc (from "miscellaneous").

I'm due to give blood again soon. So, like a good person, I went to blood.co.uk and tried to book myself an appointment via the webform. Then I remembered what the webform looks like:


Note that mandatory field right there. If you want to cut down on faff (both for you and for the blood service) when you give blood, you have to - have to - be comfortable being addressed by one of Mr, Mrs, Ms, Miss or Dr.

I think I'll just drop in and hope they've got a bed free. And so, I expect, will any Professors, Reverends, Sisters or Imams who turn up.

This might sound petty or facetious. After all, not many people feel distressed to the point of self-exclusion by being forced to identify themselves as either Mr, Mrs, Ms or Miss (not even the ones who would prefer to be acknowledged as Dr). But I, as it happens, am one of them. We're a minority, but there's quite a lot of us. We even have our own national campaign.

Here's a fun fact: in the UK, your title has no basis in law. If you're male-assigned, you're not legally obliged to call yourself "Mr [Surname]"; similarly, female-assigned people can adopt the title "Mrs" even if they're not married, or use "Miss" or "Ms" even if they are. Therefore, all these thousands of organisations who have mandatory title fields on their webforms are gaining essentially zero information by it. I strongly suspect that it's only requested (or rather, demanded) so that they can painlessly auto-fill the greeting "Dear [Title] [Surname] on their automated email replies. (This can lead to hilarity when an organisation tries to be inclusive but doesn't quite think about it hard enough, and sends out messages beginning "Dear Other [Surname]"...)

Mr, Miss, Mrs, Ms (etc.) are known as "courtesy titles"; that is, by saying "Dear Mrs Exampleface" instead of "Oi, Vera", correspondents (even automated ones) are supposed to be being courteous. But for many trans* people, it ends up being the other way round: we have to do the organisations the courtesy of selecting one of their woefully inadequate options. And while this is a minor annoyance on a webform, when individual correspondents know someone's trans*, the "courtesy" title can become a vicious, disgusting weapon for making their prejudices clear.

The gender-neutral title "Mx" (or "Misc") won't solve all of these problems. But the more widespread and well-known it becomes, the more it can help English-speaking society to become more inclusive. Simply including it on a webform will help gender-variant people, or cis people who are uncomfortable with being asked for unnecessary personal information, to feel more accepted. Meanwhile, those people who are blithely ignorant of gender issues are more likely to learn about them, and become more sensitive towards them, if they regularly encounter this strange new option on the drop-down menu and it piques their curiosity.

And, importantly, "Mx" doesn't have to be - shouldn't be - a title reserved only for non-binary-gendered people. It would actually be an incredibly useful resource at times when you're corresponding with a stranger and you're not sure whether ey's Mr or Ms. We've all had someone take a punt and address us as "Miss" when we're actually "Ms", or as "Mrs" when we're actually "Dr", and we smile, correct em and move on. If everyone who was unsure defaulted to "Mx" on first contact, it would work exactly the same way, but with a lower embarrassment/faff factor.

What's more, the receptionist at the medical institution who loudly calls out "Mr [Patient]?", when ey knows full well that the patient is, or might be, a trans woman, would no longer be able to innocently declare that ey "wasn't sure" or that the patient's first name "sounded like a man's name". Because in that case, ey bloody well could have, and should have, defaulted to Mx. Out of courtesy. And everyone in the waiting room, and at the institution, and who responds to formal complaints against receptionists, would know that.

But this will only happen if the gender-neutral, status-neutral, assumption-neutral title "Mx", or its variant "Misc", or both, becomes more widespread. And as a linguistics graduate, I can assure you that the way to make a new word widespread is to use it. Numerous organisations including the HMRC, the DWP and the UK Deed Poll Service have already started accepting it. The more examples we can give of it being used in official documents, like bank statements or council tax bills (I treasure mine proudly), the more leverage we have when trying to convince other organisations to include it in their databases.

I'm slowly beginning the long and irritating process of trying to get my title changed in all my records to Mx (and complaining when I can't). It's the teaspoon effect - it's a tiny action, and it's a drop in the ocean of the status quo, but every drop has ripples. If you're a binary-identified ally reading this, what are your teaspoon options? Well, since you're not legally obliged to use a title which reflects your gender, or your marital status, or anything else, you could always consider doing the same as me.

Think about it. Think hard, and fully explore the vague, irrational discomfort you feel when you imagine calling yourself Mx [Surname], and getting letters addressed to it, and and having it called out in doctors' wating rooms. Now reconsider whether I'm really being so petty.

Friday, 19 October 2012

What's in a name?

Lashings of Ginger Bee TimerPosted by Lashings of Ginger Beer Time

This week's blog post is something a little different - below, a number of Lashers share the story behind their Lashings names! We figure that regular readers might find it interesting, and that potential new Lashers might be find it useful when it comes to thinking of their own stage names...




GalateaGalatea

When I’m feeling particularly dangerous, I perform under the full stage name ‘Galatea Gorgon’. I acquired the first part of the name from an appallingly creepy story in Ovid’s Metamorphoses, which we’ve performed as a dance piece from time to time -- the sculptor Pygmalion, disgusted by the lewdness and crudeness of human women, decides to make himself a perfect girlfriend out of ivory and sleep with that instead: a bit like an Ancient Greek version of a RealDoll. He ends up falling in love with this beautiful inanimate statue which never talks back, and eventually the goddess Venus makes it come alive so it can marry him. Bleargh. I think that in 21st century culture, a lot of women are encouraged to be our own Pygmalions, shaping ourselves into perfection for other people’s benefit while keeping as quiet as possible; shoving any inconvenient messiness or imperfection out of view. The Gorgons, meanwhile, were completely the opposite -- they’re female monsters from very early Greek mythology, and so outrageously fierce and ugly that one look at them will turn you into stone! Put together, I think these two names speak to a really interesting tension, particularly since most of my performance is dance-based and I rarely speak directly to the audience. I like the idea of playing around with the gaze, looking and transfixion -- when I dance for you, is it about beauty or about horror? Who is being brought to life, and who is being turned to stone?


SebastienneSebastienne

This is a name I’ve been using for at least ten years, now. It’s a feminised form of Sebastian, as in Saint Sebastian, who’s been a site of deeply queer and kinky imagery for some centuries. He’s generally portrayed bound at the wrists and bleeding, pierced by phallic objects. Ahem. Anyway. After leaving prison, Oscar Wilde used the name ‘Sebastian Melmoth’, in what I’ve always considered to be a nod to posterity - to the idea that he might be (as he now is) considered a queer martyr. “Sebastienne” was only ever meant to be one half of my psyche, the other part being designated “Alia”.. but we don’t hear from her much, any more. (That’s not quite true; I’d say there’s been a reintegration. Alia’s still around in my gender identity and my politics; but I have Sebastienne’s sexuality and sense of style.) The divide was a necessary consequence of my adolescent inability to reconcile my belief in social justice and the importance of truth (Alia) with my Wildean conviction that “pleasure is the only thing one should live for” and the importance of artifice (Sebastienne). Lashings is where I learnt that it is entirely possible to embody both these things.

GoblinGoblin

at some point in my anorexic early 2000s, i dropped to 2 1/2 stone and ended up in hospital, in starvation psychosis. seeing my reflection in a hospital mirror in my delirious state, i thought i was a goblin. And then, as i recovered, it kinda stuck - still, a significant proportion of my friends call me Goblin. Like a number of anorexic girls, i used to adore the symbolism and images of angels and elves, their effortless perfection - for me, referring to myself as Goblin, implying all my skinny gawky pudgy glory, is part of embracing my many imperfections instead of striving for impossible perfection. Also, it suits me, and i think the ears are cool. ;-) 


kaberettkaberett
I’m a singer; my first language is German; and I’m decidedly political. And the deliberate misspelling of the German “Kabarett” - a word that is suggestive of cabaret as political satire? Well, that’s for reasons to do with my wallet name & a slightly unhealthy love of anagrams: so my stage name comes from the handle I invented for commenting on political blogs. In news that will surprise no-one who’s ever met me, I am indeed entirely too delighted by my own cleverness, at least when it comes to multilingual puns.


OrlandoOrlando

I took my stage name from the eponymous hero of Virginia Woolf’s 1928 novel Orlando. It was actually CN who suggested I use it, after reading an essay I wrote about the novel, but it fit so perfectly that I now can’t imagine using anything else. The character Orlando is born a boy in the Elizabethan era: the book follows them through a surreal and dreamlike version of history, during which they age very little over several hundred years, undergo a mysterious change of sexed morphology, and begin presenting as female, male, and neuter in different contexts. Orlando is openly gender-fluid and bisexual - they ‘changed far more frequently than those who have worn only one set of clothing can conceive… and enjoyed the love of both sexes equally’. The book has a lot to say about the cultural construction of gender, and I feel that the gender-fluidity of the main character speaks a lot to my experiences, despite the fantastical nature of the story.


AnonymousValentina

I turned my surname, Valentine, into my stage name! Valentine came from my looking for something that sounded awesome that also went with my blog’s name, Silicone Valley, and is extra-excellent because it’s also the name of the villain in Mortal Engines, which is basically one of the greatest books ever. Yay! My name rocks.

Cleopatra

This is my full real-life name. Natch. I’ve almost never used it in English-speaking day to day life, it feels a lot like a best Sunday dress, too much for everyday use. Plus, it’s a mouthful. (In GREEK it sounds fine.) I’ve wanted to be on stage for basically for ever and at some point my best friend and I coined the idea of keeping my full name for a stage name, so when people started telling me to pick a Lashings name there was never really any other choice. (Plus, I am a Classics nerd so it has that going for it too. Galatea was rooting for Patroklos based on this. ;))

Nigel Newt
I'm a
Nigel - that friend, relative, partner or other close acquaintance, who seems to understand enough of the principles of feminism to not be completely unbearable.  I make some contribution for the easy stuff, like the housework, or generally progressive causes.  But I also get something of a free pass - I'm shown more patience when I inevitably show my privilege. Newt is a female character in "Aliens", who gets to talk to Ripley (another female character) about monsters - fulfilling all three requirements in Dykes To Watch Out For's "The Rule" .  As my first role in Lashings was the increasingly grumpy recipient of all the token female roles from popular sci-fi & fantasy, this seemed an appropriate aspiration.


Florestan

   It has two famous uses as a name for characters in classical music. First, it is the surname of heroine, Leonore, and her imprisoned, starved husband, in Beethoven's opera Fidelio. She disguises as a man (called Fidelio) and rescues her husband from political prison. I like having a name that belongs to both male and female, being somewhat genderqueer, with the female displaying strength. 
   It is also a name used by Robert Schumann, a brilliant composer who experienced quite complex mental health issues in his short life. He often wrote words and music signed with the names Florestan and Eusebius, who represented contrasting aspects of his personality. Florestan was the exuberant, passionate and - in my imagination - slightly out of his own control side.
  So we have a heroine/boi, a man she saved (both all-singing), a fictitious wisp of borderline personality disorder and a source of wild, imaginative music and musical philosophy; Florestan.


... so there you have it! Readers who have chosen their own names, whether for the stage, the internet, as a new legal name, or in any other venue: is there a story behind yours? We'd love to hear it!