Showing posts with label sasha rocket. Show all posts
Showing posts with label sasha rocket. Show all posts

Friday, 15 February 2013

Reactions to the same-sex marriage bill

Lashings of Ginger Bee Timer
Posted by Lashings of Ginger Beer Time





As I’m sure many of you are aware: A bill has been approved in Parliament which will legally recognise same sex marriages in England and Wales. I’ve been asking other Lashers to share their views on this issue. In this post I’ve collected their critical responses. As you might see, it is far from unanimous praise.

At this point I thought I might bring up a point of information: one issue that came about from a discussion among Lashers was the issue that this legislation applies to England and Wales and not for the whole of the United Kingdom. Scottish parliament is currently drafting similar bill with the view to holding a vote on the issue in the near future. There seems to be no plans to vote on a same sex marriage bill in Northern Ireland.

I give a personal thank you to kabarett, Isadora, Ganymede and Sasha Rocket for sharing their views. 


kabarett: I’m disappointed

I’m going to say this upfront: I’m disappointed.

I’m going to set aside the issue of whether marriage should exist as a legal institution, and focus instead on the principle that “separate but equal” isn’t, and disenfranchising (especially vulnerable) populations is a deeply unpleasant thing for any government to do.

So: way back when, a public consultation on “equal marriage” was begun. Between its name and Lynne Featherstone’s involvement, I was actually hopeful: I thought we might get marriage equality, or something approximating it, in which the only requirement was “consenting adults”.

Hahahahaha no. Trans* people are shafted, in more ways than I can briefly list: luckily, other people have been pretty comprehensive. Poly people have, naturally, been ignored. There’s not even the slightest glimmering of a hint of the existence of genderqueer people. Religious groups haven’t been given the freedom to make up their own minds. Different-sex* couples don’t get to have civil partnerships, even if they want to avoid the cultural and religious baggage associated with “marriage”.

So here’s what I think the outcome is: the general public will likely assume that “equal marriage” has been achieved, when it hasn’t. Any efforts to increase the scope of this bill once it’s passed through the Lords will face much harder struggles than they would have done if the initial draft had been passed. Cis gay people of the general Stonewall flavour, having been enfranchised, will have absolutely no incentive to campaign with anti-assimilationist queers for our equality.

I am bitterly, bitterly disappointed that as a trans* genderqueer queermo, passage of this bill is likely to make my life harder rather than easier.

So my next step? Well. Letter-writing, probably, and picking my metaphorical banner back up off the floor and heading back out onto the metaphorical streets. Be the change you wish to see, and so on, because - what else can I do?

* I use “different-sex” and “same-sex” as descriptors because (a) oppositional sexism is rubbish and (b) binarism.

Isadora: That the C of E will not be allowed to perform same-sex marriages is deeply upsetting.

This is the beginning of something I’ve wanted for a very long time, and my overriding reaction is positive and optimistic. I do however, think there are some problems with the bill as it stands. For different-sex couples to not be able to have civil partnerships makes no sense. I define as bisexual, and on a personal level I feel that there is something ludicrous about a union with any partner I might have being defined differently, as a marriage or a civil partnership, depending on that person’s sex. Whilst all my relationships have been slightly different, I don’t think the sex or gender of my partner plays a big part in that. To make marriage available to same-sex couples, but not make civil -partnership available to different-sex ones seems illogical, in addition to the implication that a civil partnership is “lesser.”

That the Church of England will not be allowed, in secular law, to perform same-sex marriages is deeply upsetting. It’s a major barrier to those of us working within the C of E to try and change attitudes and eventually, hopefully, canon law. It was already going to be a long process, but this has not only put a very solid practical barrier in place, it will also make it harder to argue the case from a “what people believe/want” perspective. I think this will increase the invisibility of the large number of Anglicans (in particular, but also other religious groups) who support either same-sex marriage or equal marriage. Those both inside and outside the Church will be less likely to listen to us, because of the impression “well, that’s not what the Church/Christians thinks/want.”

My teenage self would have wanted a church wedding, but would probably still be overjoyed at this bill. I want to briefly allow her that moment of joy that she waited so long for. Probably my younger self was quite traditional about relationships, even though it didn’t always feel like that at the time. I wanted the fairytale marriage, but with another person most likely of the same gender. My current self has bits of that. I do view both the vote and the bill as a highly significant positive step and it did give me heart-surging butterflies. But there is still more work to do.

Ganymede: do we still need to have our “legal sex” recorded at all?

I’m cautiously positive about the bill - I think it’s a great step forward, although I share kaberett’s disappointment that there are so many areas where it falls down. But I’m particularly interested by the implications it might raise for the future. Marriage is, I believe, one of the few areas where your “legal sex” actually impacts materially on your legal rights - and the passing of this bill is undermining the usefulness of the distinction between “legally female” and “legally male” still further.

It was pointed out to me recently that in centuries past, “legal sex” used to hold a lot more legislative weight. Whether you were legally classified as “female” or “male” impacted on your rights in numerous ways, mostly boiling down to whether you had the right to property, or you were property. But with every step towards gender equality, more of these legal distinctions have been eroded. And to me, the question this begs is: do we still need to have our “legal sex” recorded at all?

Imagine if every person - regardless of chromosomes, genitals, secondary sexual characteristics, sense of identity, or Gender Recognition Certificate - had an equal right to marry any other person ey chose (or become civilly partnered to em!). This bill hasn’t got us there yet, but I really hope it’s the direction we’re headed in. At that point, I’m not sure there would be any great legal distinction any more between “female” and “male”. The concepts of “female” and “male” would still have a function as social genders, and as ill-defined biological descriptors. But beyond that, surely it would only be a matter of time before their usage in law was done away with as unnecessary and outdated. No need to pick M or F for the birth certificate on the basis of a cursory glance at the genitals. No need to jump through hoops getting one’s true gender identity officially recognised. No more legal conundrums where non-binary or intersex people are concerned. And I find that thought quite exciting.

Sasha Rocket: The law’s job isn’t to change the culture, it’s to reflect it

I think the fact that same-sex couples can now get married is really awesome. Although the legal differences between a marriage and civil partnerships are tiny, I think the social statement the bill makes is a massive one, that we’ve been fighting for, for a very long time; it says that, as a society, we believe same-sex relationships are just as valid as heterosexual ones, and I think that can only be a good thing. It also says that the notion of ‘separate but equal’ isn’t equal at all. When you remember that, just 10 years ago, Section 28 was still in force, this is a remarkable step-forward. Although the bill undoubtedly has flaws and particularly lets down trans people, I hope we don’t lose sight of the massive progress we’ve made in such a short space of time.

The fact that civil partnerships aren’t being extended to all couples, as well as the fact that religious groups are not legally allowed to perform same-sex marriages, is somewhat disappointing. I think the real failing of the bill, however, is the fact that it fails to accommodate trans people, in ways that have already been explained by other Lashers. There’s still plenty of scrutiny to go though, before the bill becomes law, from both Houses, and particularly LGBTQ groups so, with enough political action, some of the failings may be remedied. I’ll wait until the whole legislative process is over before I get too hopeful but, for now, I’m cautiously optimistic.

As some other Lashers have said, a wider debate about the nature of relationships would be awesome, but I don’t think we need (or even should) be looking to parliament for that debate, particularly not currently. The law’s job isn’t to change the culture, it’s to reflect it; it’s up to us to change that culture. I think we’re slightly in danger of losing sight of the fact that lots of people have now had their relationships recognised as legitimate, and I hope that the radical change there’s been in the last decade acts to motivate us to keep at it and reminds us that we are getting somewhere.

Friday, 8 February 2013

An Incredibly Frivolous Post In Which I Like River Song


My Photo

Posted by Sasha Rocket

Let me start off by saying I actually don’t understand a lot of the flack Steven Moffat gets for apparently not being able to write well-rounded female characters. That’s not to say he’s in any way feminist, or that he always gets it right (seriously, what the hell did he do to Irene Adler?) – it just means I find many of his female characters believable, relatable and likeable, at least to the same extent as most mainstream pop culture. Heck, Amy Pond (along with Han Solo) is the love of my life. And if there’s one person I want to be when I grow up (there’s many), it’s River Song.

Rarely have I seen the Whovian community so enduringly split as it seems to be on the issue of River Song. Is she impressively strong and independent or simply a vessel for devotion to the Doctor? Charming, sophisticated badass or cleavage with a gun? She’s undoubtedly capable, intelligent and remarkably self-assured – all things I like in my fictional women. She’s even regularly shown to be more skilled than the near-Godlike Doctor. River was actually one of the few female characters that briefly came into my head when I was reading Sebastienne’s post ‘Paging Doctor Sherlock House’. She certainly fits at least a fair few of the archetype’s characteristics: she is significantly more intelligent than almost everyone else around her, she’s self-sufficient (‘financially’ is a tricky word when one’s technically in jail), she doesn’t follow social norms, takes charge of situations, etc. So far, it looks like we have a pretty awesome character.

But, hold your horses, some viewers are saying. Moffat entirely undermines all this by being so wholly in love with the Doctor. Her devotion to him weakens her, they say, because it lessens her agency and reasserts the importance of the male protagonist. And, OK, there is a point here. ‘Let’s Kill Hitler’, anyone? Without wanting to give spoilers, lest the irony takes bodily form and attacks me, River has a pretty damn sharpish change of motivation and makes a huge sacrifice to save the Doctor’s life, in a fairly weak and unconvincing plot twist that exists no doubt to simply reiterate how central our male Doctor Sherlock House is to, just, everything. In many ways, the fact that River Song held so much promise is what makes this treatment of her relationship with the Doctor so galling; Moffat gave us the possibility of something wonderful, which makes it feel almost like a betrayal when he inevitably fails to deliver. As Cleopatra said of Moffat’s development of River, “I’m not angry, just disappointed”.

The other main criticism of River, as far as I can tell, seems to be that she’s little more than a twist on the ‘femme fatale’ trope or, as she’s referred to in The Wedding of River Song, “hell in high heels.” In fairness, this seemed to mostly come up following The Angels Take Manhatten, in which River/Melody Malone can definitely be read as a play on this stereotype. I actually struggle to see this as a fair criticism, since it seems to centre around the fact that she sometimes gets ‘dolled up’ (I’m not sure if I meant that phrase ironically or not), but we more often see her in pretty darn practical clothes by the standards of feminine heroes – the first two times we meet her, she’s wearing, first, a spacesuit and then combat gear. What’s more, she is actually always appropriately dressed (unlike the time Moffat inserted “I’m dressed for Rio” as a contrived excuse to get my beloved Amy into particularly skimpy shorts). Honestly, though, regardless of what she wears, River Song is always first and foremost a badass. A traditionally feminine or sexy look needn’t detract from that.
The point about River’s character being undermined by her love for the Doctor is trickier, because it points to a real trend of female characters being used to make it really obvious how super-amazingly-awesome the male protagonist is. Wow, we’re meant to say, look how much everyone loves this guy – he must be super-amazingly-awesome! Firstly, though, let’s remember, we’ve so far seen a relationship in which River has known the Doctor for a long time, whereas we’ve watched him get to know her. It’s understandable that her devotion to him is often shown as stronger than his devotion to her. Secondly, yes, she goes to extraordinary lengths to see or contact the Doctor – she breaks out of jail to go on a date and invents graffiti by desecrating priceless ancient artefacts to contact him, but on the other hand, she breaks out of jail to go on a date and invents graffiti by desecrating priceless ancient artefacts to contact him. It’s never played as River doing these things because the Doctor’s so special, but because she can. That’s the important thing – these actions say more about her than they do about the Doctor. She’s definitely not ‘plot flesh’* and actually never loses her agency – despite her devotion to the Doctor, she never acts out of character or loses control of the situation (with the exception of that one time in Let’s Kill Hitler). In fact, she regularly uses guns, which the Doctor famously disapproves of and it’s actually him that seems to bend his opinions in Day of the Moon, when he says, “this is my friend, River. Nice hair, clever and, unlike me, she really doesn’t mind shooting people. I shouldn’t like that. Kind of do a bit.”

I’m not at all trying to vindicate Moffat for all the times he’s been (intentionally or otherwise) pretty damn misogynistic, or trying to say that the context of how female characters are so often used isn’t relevant or doesn’t matter. Even so, River Song actually stands out in mainstream pop culture as an example of a self-assured, badass woman who’s in control of herself. Yes, Moffat’s let River down in some ways, but (irrationality alert), I still feel like that’s not her fault. The fact that she's pretty cool seems to have made her a bit of a figurehead for a much wider trend, in the same way some parents will be extra disappointed when their 'good kid' goes off the rails. Separating the character from the context is tricky business but, with current representations of women in pop culture, I feel a bit like I have to take what I can get while still trying to find better.

*A super useful phrase for a female character who exists only in relation to the male protagonist and whose personality and abilities changes to fit the whims of the plot, coined by a particularly charming gentleman friend of mine.  

Friday, 18 January 2013

2013: Reflections and Resolutions

Lashings of Ginger Bee Timer
Posted by Lashings of Ginger Beer Time

Last week we gave you a retrospective of what we’ve been up to in the previous year - this week, we’d like you to join us in some more personal reflection on the year behind and the year ahead. What was amazing? What was dreadful? What do we most want out of 2013 - as artists, as activists, as Lashers and Lash-friends? What will we let go of with a sigh of a relief, and what will we pursue with all the tenacity of a terrier hanging on to its favourite chew-toy?

A motley crew of Lashers respond below to a number of questions sent round - we’d love to hear your thoughts on our answers, or your own responses to the questions.

The high point of 2012?

George Osbourne being booed at the Paralympic medal presentation for for Men’s T38 400m. This communicates a lot of things to me, but the thing it showed to me was a pretty good demonstration of the lack of confidence in the current government. That crowd spoke for a lot of people not in the stadium that day (Teddy Bishop).

I was ecstatic when they announced the Democrat victory in the USA - the alternative was almost too horrible to contemplate. While Obama certainly isn’t perfect, the prospect of a Romney-headed America was genuinely chilling. Also, there were actual real-live queer women, disabled women, and women of colour elected to positions of power - amazing! My personal favourite was Mary Gonzalez, who identifies as pansexual and has spoken publicly about genderqueer identities. -Orlando

I’d say the high-point of 2012 for me was doing my first Lashings show. It was incredibly last minute and I had to learn the words during the preceding acts but it was a lot of fun and I’ve loved performing with Lashings since then. -Sasha Rocket

The low point of 2012?

The proposal to re-form Disability Living Allowance to the new Personal Independence Payment, effectively making yet another difficult and often unreasonable application process as a front to effectively reducing social welfare provisions and effectively make life unlivable for many disabled persons. (Bishop)

For me, the failure of the Church of England to agree on how to bring in women bishops was an unexpected low point for feminism - Isadora (Jenni agrees here!)

It’s hard for to pick a low point from a year that has been, in many ways, a constant drip-drip-drip of awfulness. Two constant sources of distress and dismay were the Tory attacks on the disabled and/or jobless, and the seemingly never-ending stream of disgusting comments about rape to emerge from the Republican party. -Orlando

Your favourite bit of activism from 2012?

Feminists coming together to denounce the transphobic entry police of RadFem2012 made me smile and squee. And had the conference not been cancelled, there was going to have been an amazing teach-in going on outside... -Orlando

Not as world-changing as some, perhaps, but the WorldPride 2012 Asexual Conference was a pretty big deal - it’s the first time something so major has happened, and it’s exciting that we’re now at that stage. - Jenni

The best ( or most impressively non-oppressive) bit of pop-culture you engaged with this year?

The game Mass Effect 3. Not just a story I find amazing (disappointing ending notwithstanding). I had a chance for my male protagonist Commander Shepherd to start a relationship with a man (Steve Cortez), after ending things with the genderless blue telepathic alien from my Mass Effect 2 game save. I don’t know how many games can say that and still be blockbusters. Nothing personal Liara T’Soni. Also a neat highlight of the game was the relationship between the artificial intelligence EDI and the mobility-impaired human pilot Joker. Sci-fi sextastic (Bishop).

The scene in Skyfall where James Bond can be seen to have said he’s bisexual. - Isadora

Strangely enough, Brave - I was very happy to have a film with the focus on a mother/daughter relationship, with both of them being genuinely strong characters (not the strong-flawless type) and to lack a romance subplot too! - Jenni

I don’t think there’s any one particular piece of mainstream pop-culture that I can think of from this year that I’d describe as ‘impressively non-oppressive’ but over the course of the year, I have been noticing a much higher ‘base level’ of engagement with feminism in a lot of pop culture. Parks and Recreation is an awesome show that is explicitly feminist (because Amy Poelher is just the best) and I think, particularly with Tina Fey and Amy Poelher hosting the Golden Globes, there’s a bit of a reversal of that whole ‘women aren’t funny’ nonsense. There are even some corners of the internet where this seems to be the case - can anyone imagine this article by Luke McKinney being posted on Cracked a year ago?

Something awesome you learned/discovered?

That I can be an influence on others! I’m used to thinking about other people who inspire me, but I have, to my astonishment, found out that the things I care about and take action on have been inspirational to some people I know this year. - Isadora

I came out as bi to my very religious mother at the end of 2011 and she’s since started talking about women with me in a way that is both weird and lovely. So I’d say I discovered a new aspect to my relationship with my mum. Also, that I’m more capable than I used to believe.

What was your 2012 Lash-career like?

I joined Lashings late in 2012 and joined in the protest to save the women’s library. I’m excited to newly be a part of Lashings! - Isadora

I did things I never thought I’d do: sung a cappella on stage, and even danced a little! As well as madcap travelling to gigs around the country, I’ve also been writing for Lashings regularly. I’m sad that circumstances prevented my joining the gang in Edinburgh, as I feel like my experience of Lashings can almost be counted in units of “Edinburghs”. I first met Lashings in Edinburgh 2010 (and ended up loving the show so much I saw them twice), and it was in Edinburgh 2011 when Annalytica first discussed the idea of my joining - so going and performing at Edinburgh 2012 would have been perfect. But onwards and upwards - hopefully I’ll be treading the boards in Edinburgh in 2013! It’s been an amazing ride so far - I’m so pleased to have finally joined. -Orlando

I joined Lashings this year and it’s been awesome. I’ve met really fantastic people and had a lot of fun. I’ve actually danced onstage which was surprising! Unfortunately, like Orlando, I didn’t get to go to Edinburgh with Lashings this year but hopefully that’ll be something I can manage in 2013. -Sasha Rocket

What do you want to see happen in 2013?

I'm looking forward to marriage law being equalised. For my younger (10-15 years ago) self this is a huge dream come true. I might not feel exactly the same about marriage anymore but this would have made my younger self’s year life.
In a more trivial area, as a dancer, I would love to see programmes such as Strictly Come Dancing have non-heteronormative pairings. It’s going to happen at some point. - Isadora

I am looking forward to (hopefully this year) seeing ‘Tropes vs. Women in Video Games’ a Kickstarter funded project by Anita Sarkeesian. This video series promises to address the sexist tropes that are present in games and gaming culture at large. Sarkeesian is famous for her highly enlightening Feminist Frequency series and the unfortunate hate campaign that followed when her latest project was announced. As a comic book reader, I would also like to see a better representation of female comic book characters with less sexual objectification following the ‘Hawkeye Initiative’ of Dec’ 2012. If the comic book writers can listen to fans and put meme jokes into the Deadpool serials, I would sure think they could listen about how objectification is damaging for audiences. Here’s to hoping for a less oppressive geeknerd culture (Bishop).

I’d like to tack my agreement onto everything that’s already been said but I’d especially like to see more non-faily pop culture and, like Bishop says, a less oppressive geekdom. -Sasha Rocket

^ Can I add in Escher Girls link, even though it’s been going longer? eschergirls.tumblr.com
I want to see more asexual visibility - we already had a massive surge this year, so it’s an exciting time for us! - Jenni

What do you want to MAKE happen in 2013?

Is it too optimistic to say 'bring about queer-feminist anti-kyriarchal utopia'? I guess so. In which case, keep on making safer spaces for the people who need them - and keep on working to change the world outside those spaces, one teaspoon at a time. -Orlando

I’m with Orlando here, but on a less optimistic scale - get the notion of ‘asexuality’ out there. And create a space for geeks that’s queer/female friendly (not at all a plug for Nine Worlds, I promise...) - Jenni

Every time I try to answer this question, my brain just keeps yelling ‘CHEESECAKE’ at me. So, I guess I want to make cheesecake happen in 2013. Plus, I’m really looking forward to certain lashplans that I’m also hoping to be involved in. -Sasha Rocket

What do you want to do in Lashings this year?

I’m pretty excited to newly be a part of Lashings. I’m looking forward to being in a pantomime. And challenging dance stereotypes as much as I can in any performances :) - Isadora

Keep on blogging! - Jenni

I might die of joy the first time Lashings performs a song I’ve written. (Sebastienne and Zim are both ready and waiting for the one I’m working on right now, but it’s still not complete...) Aside from wanting to write a lot of songs and sketches (and having grand ambitions of them becoming Lashings classics), I want to develop as a performer myself and become confident with a wider range of Lashings numbers. And of course, I’ll continue blogging - I have quite a few topics lined up! -Orlando

I’m hoping to get better at dancing as that’s something I feel less confident about, and I want to write stuff. -Sasha Rocket

… so those are the thoughts of some Lashers on the year behind and the year behind. How about you?




Friday, 2 November 2012

Tales of Being an Apprentice Lasher


Posted by Sasha Rocket








As you may have noticed, Lashings are currently on a recruitment drive to swell our ranks with awesome people who enjoy dismantling the kyriarchy through the medium of songs and the occasional bad pun. As the very newest full Lasher, I wanted to write about my experience of joining Lashings to give potential apprentices an idea of what to expect.1

Let's get the technical stuff out of the way first: currently, the process starts with a trial period to give you a chance to get to know the collective, and current Lashers a chance to get to know you. During this time, you'll be known as an 'apprentice Lasher' and will come along to rehearsals, learn acts and basically be involved in the community until there's a general agreement that you've spent enough time2 on probation and move on to the next step. At this point, you'll pick one or more Lashers to lead a 'feedback chat', who will ask other Lashers if they have any comments or issues arising from your probation and will then discuss them with you (along with any comments or issues you have about Lashings in general). After your chat, you'll put together a document, possible along with whoever was in charge of your feedback, about your thoughts on your apprenticeship and full Lashers will then vote on whether you should become a full Lasher, your probation should be extended (rare) or you should be asked to leave Lashings (rarer still).

Well, that's that taken care of, so here's my Lash-story.

A long time ago3, in a galaxy far, far away4....

STAR WA-

Oh, no, sorry, got carried away a bit there. What actually happened was that, wide-eyed and innocent, I entered my first ever Lashings rehearsal. I knew quite a few of the Lashers through student drama (and I use that term in the loosest sense) and had been complaining to Robette that I wanted to do something a bit less...frivolous. But still fun. And definitely still silly. Something that was silly AND serious at the same time. Something that could be an outlet for my Opinions On Things. Incredibly, such a thing did indeed exist, and right there in that far, far away galaxy we call Oxford! I was somewhat nervous the first time I went along (what if people don't like me? What if I can't sing well? What if I'm not 'activisty' enough? What if Lashings is secretly a cult of alien-monsters in radical-queer-feminist-skinsuits just waiting to pounce and consume my brain?) but everyone was very friendly and welcoming and really made me feel like it was lovely to have me there. Sebastienne told me a bit about how Lashings works and explained that they were currently in the middle of putting together their Alt Sex Ed show for Edinburgh and really needed someone to do the music for it. After much reassurance that all I'd need to do was push a button at the right time, I agreed to do it with a warning that I would most probably screw it up somehow. I'd always considered anything involving sound and electricity to be pretty much beyond me but I actually found myself working the sound desk by the end of it, and saying things like “the levels aren't quite right” and “maybe if I lower channel 4...” and “here, I have some gaffa tape!”

Getting to know the ins and outs of the show was actually really helpful because I was able to learn the acts by osmosis (not that I didn't have to spend quite a while properly learning lyrics and choreography). My very first performance in a Lashings show was incredibly last minute, due to other Lashfolk being ill and I actually had to learn some of my lines on the night! I've performed in two other Lashings shows since then (both with some actual rehearsing beforehand!) but that first one is still probably my favourite, simply for the excitement of Not Forgetting The Words the first time I went on stage! Performing with Lashings is awesome, partly because the acts are great, partly because performing is fun but largely because the audiences and the rest of Lashings are so fantastic. What I've seen Lashings do, both as an audience member and during my apprenticeship, is create safe spaces with a real sense of community which makes getting up on stage a really positive experience – it really does feel like you're up there with family. Plus, being able to make people laugh and think at the same time is brilliant.

As great as the performing aspect of Lashings has been, probably the best bit of my apprenticeship has been getting to know so many wonderful people and becoming a part of the Lash-community. I've felt really welcomed and lucky to be able to do this stuff with so many awesome, kind, funny people. So, at the risk of getting too mushy, to my fellow Lashers, thankyou, and to the new apprentice Lashers, congratulations! You're about to enter one of the best communities I've ever been a part of and have loads of fun!

1Also, check out kabarett's post about a Lashings rehearsal
2This is dependent on lots of things and so will probably be different for everyone (ish)
3About last May.
4Well, in East Oxford Community Centre. Probably.